Inspired by August Strindberg’s groundbreaking 1888 naturalistic drama Miss Julie, Mark Clayton Southers relocates the action from Sweden to a Reconstruction-era Virginia plantation.The dangerous attraction between the landowner’s daughter and his top servant takes on new shades as its taboo nature expands from crossing boundaries of social class to also encompass racial lines. The situation is heightened further by Southers’ extensive development of the third onstage character from Strindberg’s play, who in this searing version becomes central to the conflict through her identity as the mulatto daughter of a slave woman. The result of the Midwest premiere production is an intense struggle that illuminates cultural dynamics of two key moments in U.S. history: then and now.